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A Brief History of Hapkido
During
the Silla Dynasty in Korea, 7th Century AD, about 1,350 years ago,
an organization called the Hwa Rang Do was formed to train the young
men of the Noble classes to become emergency combat teams, ready to
defend the region in times of need. The Hwa Rang Do, which translates
roughly to "Way of the Young Flower", was legalized and
supported by King Chin Hung of the Silla Dynasty. These small groups
lived in common quarters and drilled both mind and body with strict
discipline and teachings under the provisions of the Gentry Class.
The
martial art taught to the Hwa Rang Do, although nameless at the time,
formed the basis of what would become modern Hapkido. Various forms
of Hapkido are found depicted on the stone walls and remains and ruins
of what were Silla Dynasty buildings.
As
time went by, the martial discipline of the Hwa Rang Do dissipated
as more and more of the young noble men chose to prepare themselves
for lives in business rather than war-craft. Most of the descendants
of the original Hwa Rang Do chose to pursue intellectual training,
preparing themselves to take the National Examination which led to
becoming government officials and the like. The result was that maintenance
of the martial arts degraded until only a shadow of the former arts
remained. This remnant was called Taek Ki Yon and later Tae Kyun.
The art was maintained, to a certain extent, by monks in isolated
monasteries, and there is evidence that the Korean monks exchanged
ideas and techniques with monks in Chinese monasteries. The Chinese
influence is evident in the circular motion aspects and spinning kicks
of Hapkido, along with the emphasis on mental development and concentration,
very much like the flowing circular movements and internal philosophies
of Kung Fu in its various forms.
With
the Japanese invasion of Korea in 1910, all Korean martial arts were
outlawed, and the only practice and maintenance of the original forms
was done in secret in isolated monasteries in remote mountain locations.
The study of Japanese martial arts, namely judo and kendo, was allowed
to a certain extent, and the influences of these arts are seen in
Hapkido as well, in its throws and grappling moves, and the relationship
between Japanese Kendo and Korean Kum Do is readily evident.
It
was shortly after the Japanese occupations' beginning that Choi Yong
Suhl (Korean names are formed with the family name first, i.e., Smith
John Lee), the originator of modern Hapkido, emigrated to Japan. Having
already mastered Tae Kyun in his youth, Master Choi studied a Japanese
system called Daito Ryu or Dai Ju-Jutsu. This system of Ju-Jutsu is
said to the the forerunner of Judo and Aikido. Master Choi returned
to Korea after the end of W.W.II in 1945, and founded the first Hapkido
school in Taegu, Korea. Hapkido was an amalgamation of the Chinese-influenced
Tae Kyun and Japanese Ju-Jutsu. This made it one of the first truly
integrated arts that recognized the effectiveness of combining the
best aspects of both the "hard" and "soft" styles
into very powerful combinations of techniques and theories.
Eventually
Master Choi and his top student, Ji Han Jae, brought Hapkido to Seoul
to teach it to the public for the first time (over 75 percent of the
Republic of Korea's population lives in Seoul, making it the logical
choice for expansion efforts). Master Choi eventually retired back
to Taegu and died in 1987.
HAP
in Korean translates as "join" or "coordination"
KI
translates to "energy" or "power"
DO
means definition of an art, method or "the way of"
Taken
collectively, Hap Ki Do, or "The Way of Coordinated Energy"
defines a martial art that is completely integrated, that is to say,
involves complete integration of body, mind and spirit. The techniques
of Hapkido are made powerful through the coordinated efforts of the
physical body being directed by the concentrated mind, being inspired
and infused with the energy of the spirit. When practiced in this
way, Hapkido can be an astonishingly powerful martial art, enabling
even those of small physical stature to achieve great physical influence
over their opponents. Hapkido is also fully integrated in terms of
its techniques, in that it involves application of punches, kicks,
blocks, dodges, throwing techniques and ground work, or grappling.
It is through this complete knowledge that a Hapkido practitioner
may meet any and all attacks with confidence and effectiveness.
The
popularity of Hapkido is due to the fact that everyone, young or old,
male or female, can practice this art regardless of physical weight
or strength, because not only does "good technique" play
a more important role than force, but also direct hitting is not necessarily
needed. The best technique for an individual practitioner is what
works best for his or her particular body type, and what appeals to
his or her sensibilities. The duration and regularity of practice
is also up to the individual, with the level of benefit achieved commensurate
with the amount of effort applied. Most Hapkido masters will tell
you that they were not physically strong by nature, but became skillful
and strong through training and practice.
Both
the body and spirit of a human being are interacting with each
other,
and we can understand them as being nearly one entity. We can earn
our health and spiritual delight through physical activities. Additionally,
we can feel pleasure instinctively when we come to have at hand
a certain
degree of self-confidence in the ability to protect ourselves physically
through the course of learning those skills little by little. When
one
is able to be confident in his self-determined power and the techniques
at his command, he can never be "mean", but will instead find
himself making magnanimous concessions to others, for with these abilities
comes a natural responsibility. Such mental posture will, without fail,
enable one to keep his nervous "mental storm" under control,
thus restoring a complete peace of mind.
Click
HERE for
link to the Hapkido Family
Tree to see the list of
Hapkido Masters and who they trained under through the years.
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